STORYBOARD

30/11/2020

Exploring the different dolls and objects in my house, I took into consideration its location as well as the material they were made of and what they were designed for. I animated them simply with minimal colour to map out the composition as well as see how affective the movement would be.

As the storyboard progresses, the more animated the objects become, starting with a garden statue that has a fern leaf waving over it, then two garden statutes of children on rocking horses, then a doll whose hair is flowing from the wind outside, then a porcelain doll that reflects flickering light, then a nutcracker that moves it mouth by itself, then two drawing mannequins shaking their heads.

I tried to keep the movements very subtle in order to create that ambiguous feeling of whether the object is actually alive or not.


BACKGROUND STUDIES

SHOOTING